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DTSTART;TZID=America/Detroit:20240816T190000
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SUMMARY:Toubab Krewe
DESCRIPTION:Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great\, invisible substrata that runs below all human activity\, a sound aching to be born without a flag or fixed allegiance – free\, questing\, overflowing with immediate\, tangible life. This is the music of Toubab Krewe\, the vibrant instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock\, African traditions\, jam sensibilities\, international folk strains and more. While nearly impossible to put into any box\, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular\, original\, globally switched-on sound. \nFormed in 2005\, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their latest release\, STYLO\, (March 2nd\, 2018). What Justin Perkins (Kora\, Kamelngoni\, guitar\, percussion)\, Terrence Houston (drumset)\, Drew Heller (guitar\, organ)\, Justin Kimmel (bass\, keys)\, and Luke Quaranta (Djembe\, Congas\, Dundun\, Sangban\, Kinkini) have wrought on STYLO reflects the many miles and musical journeys that have transpired since their last studio album\, TK2. \nThis is a band that actively draws inspiration from whatever source floats into their purview\, something they’ve exhibited in their decade and a half of heavy gigging\, including regular appearances at major U.S. festivals like Bonnaroo\, High Sierra\, Rothbury and Wakarusa\, and abroad at such legendary gatherings as the Festival In The Desert in Essakane\, Mali. Whether on their own or collaborating with luminaries like the Last Poets’ Umar Bin Hassan or Uncle Earl’s Rayna Gellert\, Toubab Krewe has already earned the attention and respect of a broad musical community. \nToubab carries echoes of African greats like Ali Farka Toure\, Orchestra Baobab and Salif Keita\, no doubt picked up during the group’s travels to study and live in Guinea\, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they’ve learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.
URL:https://downtowndayton.org/event/toubab-krewe/
LOCATION:Levitt Pavilion Dayton\, 134 S. Main St.\, Dayton\, OH\, 45402
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SUMMARY:Alanna Royale
DESCRIPTION:Laugh out loud funny and fearlessly outspoken\, one doesn’t have to wonder if Alanna Royale is in the room. Since storming the Nashville scene in 2013\, Royale has repeatedly made her presence known from calling out politicians she can’t stand to calling monopoly on her classically minded\, R&B sound. In her first year alone\, the artist landed headlining slots at Nashville Pride Fest and won “Road to Bonnaroo” with only an EP under her belt. After fine tuning her swagger fronting punk bands\, it appeared Royale had found her perfect niche marrying soul and pop. Or so she thought.
URL:https://downtowndayton.org/event/alanna-royale/
LOCATION:Levitt Pavilion Dayton\, 134 S. Main St.\, Dayton\, OH\, 45402
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